Citing particular examples, discuss how far pop music can be Essay

Citing particular examples, discuss how far pop music can be considered textual poachers (Henry jerkins) - Essay Example Apparently, a topic that attempts to capture the dynamics of any culture within the context of social icons and the mentality of their followers, could not adequately incorporate and interact with the controversies thereon as textual poachers does with pop music. Originally, Henry Jerkins did a lot of studies surrounding television entertainment with shows and movie series as the centre of interest for many fans. The provocative interaction that the television fan base makes with the ideal universe created by the shows that they faithfully follow blind them such that they fail to conceptualize the idealism involved in the productions. The author states that this creates a culture that tries to fit in the idealism provoked by the entertainment culture (Jenkins, 1992, p277). In a similar manner, the pop music industry can be assessed for a possibility of a similar idealism generated within the music setting and consequential spilling over to the real life of the fans to the extent that they â€Å"live† the idealism. In an attempt to explain the role of fans in the generation of new idealistic cultures, Jenkins (1992, p23) reports that fans find it fashionable and defensive to relate to a certain mass following of an entertainment platform. Further in the description of the behaviour of the fan group, the author reports that the identity and associating with the common following accords the group a manipulative force that enables it to form a culture. Producers of the original text from which the apparent poaching happens voice their displeasure by referring to the fans as cultural dupes or even senseless customers of the literary piece. Works of art that are presented to the audience commonly through the media are initially meant to be just entertainment content; but the audience blow off the balance between the text intention and imaginations not intended by the producer. There is an eventual loss of the art intention